Seoul-Based Photographer Captures Korea’s Leisure Culture Amid Work-Life Contradictions
For nearly 15 years, Seoul-based photographer Kim Seunggu has documented South Korea’s evolving “leisure culture” in his acclaimed series Better Days. Against the backdrop of one of the world's longest working hours and the phenomenon of “gwarosa” (death by overwork), Kim’s photographs offer a striking exploration of how South Koreans find joy and respite.
Kim, 45, captures vibrant scenes at locations like the Jangheung Hanok Swimming Pool and Royal Azaleas Hill, showcasing everyday people enjoying life outside their demanding work schedules. His lens focuses on the middle class, portraying leisure activities that resonate with the majority, rather than the exclusivity of the upper class.
Rooted in South Korea’s historical context, from Japanese colonial rule to democratic reforms, Kim’s work reflects the resilience and adaptability of a society navigating modernization. His use of vivid colors and dynamic compositions emphasizes the contrast between urban pressures and communal joy.Spectators gather for a performance by South Korean honor guard soldiers in Seoul. Kim Seunggu
Kim believes South Korea’s leisure culture represents a “flexible community” blending individualism with collective values. He views these moments of leisure as symbols of optimism and potential for societal growth.
His upcoming book Better Days, published by Kehrer Verlag, delves deeper into these themes and showcases nearly 50 photographs from his series. The project exemplifies Kim’s commitment to “slow photography,” capturing the essence of leisure in a country marked by its work-life contradictions.